Rolled out of bed this morning to find a really lovely breakfast going on downstairs; this particular B&B (a Fairbank House, in Dufftown) has it going on in terms of amenities. If only my allergies, or cold, or whatever it is, would settle! I don’t seem to have gotten over my cold, or whatever it is that hit me so hard in Skye.
However, be that as it may. There’s much to relate today – another busy day.
We opened at Balvenie Castle, quite near our lodgings. This is another ruined castle, one originally known as Mortlach, and it took just a few minutes to roam the grounds and snap a few photographs of the walls.
From there we set out for Elgin, a medieval-era town featuring a dramatic cathedral as one of its centrepieces. Doubtless it was even more impressive when it was whole; in the 1700s the central tower (a relatively recent renovation) collapsed (one Easter Sunday…hmm…) and people simply…stopped using the place for worship. Perhaps somewhat understandable, given that prior to the collapse it was primarily used by the clergy – bishops and canons and so on. A parish church this definitely was not.
What’s most interesting about visiting the cathedral today is the new (only just opened at Easter!) exhibition that lets you get up close and personal with the masons who built it, after a fashion. These guys were responsible for carving…well, everything; every fragment of column and window frame, every ceiling boss and arch. They were paid by the stone, and a careless slip of the chisel could mean the cost of the stone came out of their salaries – so if you look closely, you can see not only the marks designed to help align the stones, but also tiny marks indicating which mason was responsible, usually tiny patterns of lines (I’m not sure how literate the average mason would have been, but I’m guessing not very.)
Of course, when the cathedral collapsed, much of their art was lost – or cannibalized for other purposes – but the exhibition is nevertheless full of headless satyrs and other grotesqueries, Green Men, symbolic beasts like hares and lions, and faces whose wild expressiveness is at odds with the vogue for Grecian-styled serenity. There’s even a ceiling boss that, if viewed from the right angle, reveals itself as being held by a crouching figure…who is completely anatomically correct. Some sort of token of sin? An in-joke by a mason who knew it’d never be seen? Hard to say.
Incidentally, on the way to the cathedral our quest for directions led us by accident not to a general visitor centre but to the centre for Jameson cashmere. This is a cashmere company so famous even I’ve heard of them; they hold a royal warrant, and their shop is full of beautiful, if conservative, things. Sweaters in jewel-bright colors, ridiculously soft – and of course you can pay as much as you like for them. Drool-worthy, but not incredibly feasible.
Unfortunately, by the time we’d gotten a bit mislaid and then seen the cathedral, we pretty much had to turn right round and hurry back to Dufftown, as we had an afternoon planned that had a bit more to do with another product for which the region is famous: whiskey.
This may have been just as well, as it was starting to rain as we made our way to the Speyside Cooperage, the only working cooperage in Britain that allows visitors. A cooper is someone who makes barrels and casks, as you may be aware; a very old art, and a super important one considering that barrels and casks and buckets have been important parts of daily life for basically ever. They’ve really committed to the cask theming, too: gigantic casks (donated from a brewery in Germany) outside contain picnic tables for visitors with a packed lunch in hand, while the attached tea room is filled with cask-based furnishings, from the tables and chairs to the “paneling” along the front of the bar.
Inside, a tour details the history and practice of the coopering craft; interestingly most of the work done there is repair work, rather than creating new casks. Casks are crafted of North American white oak – yes, the wood is indeed shipped in – which is pared down to specially-sized planks. Some of these are destined to become lids: these are fastened together with wooden dowels to form a larger flat surface, but otherwise untouched. Others are to become staves – the walls of the barrel.
Exactly as was done hundreds of years ago, these staves are arranged in a round shape within a band of riveted iron, with another hammered into place to produce, essentially, a giant bucket. This bucket is steamed to soften the wood, then carefully bent, with more bands of iron placed to create the classic barrel shape. If the barrel is to be used for whiskey, then the interior of the barrel is charred slightly, which opens up the wood to allow for better interaction with the alcohol to be stored inside. Lids are cut and beveled from the doweled planks and hammered into place, a long reed packed around each lid to form a watertight seal. Et voila: a hogshead. Modern machinery helps tighten the iron bands into place, and the cask is sent off for testing.
That’s for new casks, of course; when repairing casks it may be a simpler matter of replacing a damaged stave or lid, or scraping off an old, unusable layer of char and re-charring the oak.
The coopers at Speyside are paid by the cask, and apparently can repair on the average 20-25 casks every day; their fastest cooper can do up to thirty (!). We had a chance to watch this guy at work and it was really something; it doesn’t seem really plausible for someone to wield a hammer that fast, let alone when working with hard oak and iron. Still, it’s cool to see an ancient craft in use in the modern day, and it appears there’s plenty of local interest: the last apprenticeship that opened up got more than 100 applications. (And yes, that’s a classic apprenticeship, with a journeyman supervising and everything.)
Here I learned something that becomes evident very fast if you hang around Speyside very long: everyone has different ideas about what the Most Important Thing in whiskey-craft is. At the cooperage, they unsurprisingly said it was the barrels – the contact of oak and alcohol. (In fairness, this does seem to be somewhat borne out by the part where different designs of barrel will have greater or lesser effect on the flavor of the alcohol stored in it. Want very oaky booze? Opt for a smaller barrel, like a firkin; some distilleries insist on these.
I also learned that barrels like these have an active service life of about 60 years or so – a long time! If you assume a resting time of 12 years, that’s five batches of whiskey, for example.
Our tour included a taste of a liqueur called “Stag’s Breath” that’s made with whiskey and fermented honey. Probably unacceptably sweet to most serious whiskey fans, but I thought it pretty delicious, actually – perhaps a bit dangerously so if you’re like me and like sweet things.
Anyway. That adventure told us all about the barrels; but what about what goes in them?
To find out, we went (at the advice of my old travel book and of our landlady) to Glenfarclas distillery, one of the last truly independent distilleries in Speyside. Sad but true: almost all of the other whiskies made here are in some manner in hock to the big boys at Chivas or Diageo or whatnot. Glenfarclas, we were told, is still family-owned and operates in a more traditional manner – so of course that was the distillery we opted to see.
I’ll note here that Glenfarclas’s tour is not considered to be the best one. Sources agree that the best distillery tour is Balvenie’s – but as waiting periods for that one can be a year or more, that one’s not really a viable option.
Be that as it may, we darted into the visitor centre at Glenfarclas out of a pouring rainstorm to find that a tour had just left – so we hurried to catch up. The only two people presently on it were a couple from Nevada (I gather the guy was into sales of alcohol in some fashion and he seemed to really know what he was on about); I suspect they were not best pleased with the sudden incursion of a party of four Canadians, but they bore it well. Our guide was an unassuming but pleasant fellow named Murray who rocked some tartan pants and got right into it with a will.
Whiskey starts with two main ingredients: water and barley. The water in Glenfarclas’s case comes from a spring rather than from the nearby river or its tributaries – and has at least once been a limiting factor for them, as if the year is dry or they produce too aggressively they can find themselves without enough water to proceed. Interestingly they seem fine with this, even telling our group they aren’t really interested in expanding much farther than they already have, remaining a relatively boutique product.
The barley, once harvested and threshed, is allowed to sprout (which turns the starch in the barley into sugars) and then toasted (the toasting process is known as “malting,” and is where the “malt” part comes from.). Air circulation is quite important during malting, and to this end most malting sheds are crowned with little structures that look like pagodas. Supposedly these improve air circulation, but it does make for an incongruous little architectural detail.
The toasted grains are rather coarsely milled, and the resulting mess will then be combined with hot water and yeast to ferment. (Yes, all of it, including the little bit of flour and the barley hulls. The hulls prevent the mixture from becoming an airless paste; the flour prevents the water from passing into and through the mixture too quickly.)
Fermentation takes a surprisingly short time compared to everything else in the process, really. In as little as sixty hours you can have…well, essentially a beer; alcohol, but not distilled. This distillation takes place in a series of giant alembics, more or less; huge copper devices with bulbous bases and long necks. The copper is apparently important to the final product, as it helps to remove sulphites and other substances that might cause unpleasant flavors in the whiskey. Most distilleries heat their alembics with a coil that wraps around the base of the still, but Glenfarclas insists on the application of direct gas heating; Murray informed us that they experimented with the coil method but that it changed the taste of the whiskey.
Perhaps unsurprisingly, the distillery folk seem to feel that the single most important factor in whiskey is the shape of the still; a shorter, fatter still produces a whiskey with a heavier body, while a taller one will give you a lighter, airier result. During distillation, extracts emerge from the stills into a spirit safe, in this case a kind of steampunk brass thing with a number of globes in it; an experienced still operator can tell from the color and behavior of the liquid emerging into the various gloves and pipes what the percentage of alcohol is and when to begin decanting the relatively small percentage of the substance that will eventually go into those casks to rest.
The resting, of course, is next, and at Glenfarclas the barrels are simply moved into great warehouses to wait out their maturation time. During this rest – which may be very long – quite a lot of the liquid inside the barrel continues to evaporate away as the fabled “angels’ share.” We saw more of these warehouses across the road from our B&B; once a distillery and now closed, the warehouses hold whiskey from a large number of distilleries in the area. (This sharing of warehouse space is not uncommon in the industry in Speyside, it seems; perhaps they feel that it keeps them honest? At any rate, Glenfarclas doesn’t participate; they like to keep themselves to themselves.)
As the whiskey ages, it takes on more qualities from the wood holding it, as well as losing some of that back-of-the-throat burn common in the youngest of the whiskies. Once it’s sat there long enough, it’s finally bottled – and at last the tax that was owed the moment distillation started can be collected. (Murray joked that distilleries weren’t so much sellers of alcohol as tax collectors; the tax represents a very great deal of the prices we pay!)
Once our tour completed, we settled in for a quick tasting at the visitor centre – a 10-year whiskey and a 15-year whiskey. The difference is indeed noticeable – and a splash of water helps to moderate the burning, which I suppose is why whiskey and water is a thing. (Interestingly, this is just a LITTLE water; an eye dropper, gently used. Noted, in the event I am ever called upon to serve someone whiskey and water.)
It still has a bit of the burn to it, of course, but an interesting, earthy flavor. Many elements coming together. You can see why in Gaelic it’s “the water of life.” Warming, certainly, on a cold, rainy day like this one, and it was fortifying as we braced ourselves to step back out into the wet.
Our last formal stop of the day was Ballindaloch Castle, whose claim to fame is mainly that it’s still occupied by the same family that built it, years and years later. More the castle of a laird than a clan chieftain, it’s got a number of the features we’ve seen at other big properties – gardens, picnic areas, and whatnot – and for an additional charge you can tour the castle itself and admire the ridiclously vast collection of china, furniture from the 1700s, authentic paintings from even earlier than that, ancient weaponry, and whatnot.
It is an interesting sort of mixed bag of feelings, touring one of these places. On the one hand, there are some truly beautiful objects, and occasionally some spiffy stories as well. On the other, as an uncouth North American, few things inspire class rage quite like seeing a whole hallway full of photos of the family at various Royal events (with invitations, of course, prominently displayed), or a casually-displayed bit of artwork in the nursery that depicts on one side a young girl in plain brown coat, sitting on an obviously lower-class stoop with a bulldog seated next to her and on the other, a girl of similar age, but wearing a fashionable coat in Black Watch plaid, carrying a muff, with a greyhound trotting along beside her.
One of those girls is labeled “The Masses,” and the other was labeled “The Classes.” Want to guess which?
To cool off my inner Enid a bit, we went for a stroll in the gardens. These were, as is usual for big places like this, lovely: great smooth lawns occasionally broken by beds of roses and other flowers, or huge, majestic trees. There was a “doo’cot” (a dovecote; here we learned that dove droppings were once considered a cure for baldness) and a tiny building dressed up to look like a train station: inside were elaborate toy trains, whether for the family alone or for the masses visiting the grounds was unclear.
Mark and I also had a little conversation about our favorite flowers. I like roses best: vivid and varied in color and scent, all the intricate layers unfurling and unfolding around a golden heart that’s rarely seen. He likes lilies the best, the sort with a single white petal curling round, simple and graceful and austere in form. I mused there might be a personality test in there somewhere; he seems inclined to agree.
As everyone was still a bit damp from all the earlier rain, we adjourned briefly to our lodgings to change and dry off a bit before heading to dinner at a place called Tannochbrae, in Dufftown. It wasn’t difficult to find (hunting for a new place is pretty easy in a village with just two primary streets!) and soon we were being escorted to “the bar” to wait by one of the best candidates for the label “strapping young man” I’ve seen in some time…an enormous fellow whose polite soft-spokenness was deeply at odds with a frame that would be more at home punching someone through an oaken door at a pub. (Also not from around here; his accent sounded familiar, though I didn’t place it until he mentioned it to other diners that he was from Yorkshire.)
Tannochbrae is a guest house as well, so “the bar” was really more of a tiny room crammed to the gills with multitudes of whiskies; a slightly larger area (with, happily, a crackling fire) allowed seating while we waited to be seated for dinner – deep leather armchairs and sturdy wood furnishings that suggested the smoking-room. The Yorkshireman took our orders for dinner, and we discovered with some mild dismay that the place was rather expensive – but what the hell. Here we were, so we might as well move forward.
I had a pheasant breast, prepared with bacon and currant sauce, with carrots cooked with star anise and a honey glaze, boiled potatoes, and cauliflower/broccoli cheese, followed by a creme brûlée. It. Was. Ridiculous. The Yorkshireman bustled about attentively, looking after us as well as a table of folk who were having some sort of insanely expensive whiskey themed dinner (he’d bring them a whiskey, tell them about it, and then leave the bottle) and who were speaking a language that none of us could readily identify, but that didn’t sound Gaelic, or French, or Spanish, or German.
As we finished our meal and prepared to leave, we saw the Yorkshireman speaking to the chef, who was ALSO a simply massive individual. (Mark commented that if he was in a tavern with those guys it’d be the safest tavern ever; nobody would dare rob the place for fear of having their heads bashed in.)
As we left, the sound of piping caught our attention, reminding us that tonight was practice night for the local junior division of the bagpipe corps. (Or whatever it is called.) This meant a group of teenage folk, boys and girls, playing rousing pipe tunes as the drummers tapped away and one (the most senior, I suppose) kept time. And, really, they were pretty good – it was the just-noticeable wheeze at the end of each piece that marked them as trainees, more than any irregularity in the performance itself. (Some of the trainees were pretty small folk, too; one girl really didn’t seem much taller than the pipes she was carrying!)
At last the order came to “fall out,” and the group dispersed. On that note, so did we…making our way back to Fairbank House and thence to bed at last.